How To with John Wilson
https://play.hbomax.com/series/urn:hbo:series:GX1pL-A4sIcMslAEAAAAy
‘How to With John Wilson’: Where Digression Meets Delight
https://www.rollingstone.com/tv/tv-reviews/how-to-with-john-wilson-hbo-review-1078976/
When my children were younger, they loved a series of books by Laura Numeroff and illustrator Felicia Bond with titles like If You Give a Mouse a Cookie. Each book follows an animal along a series of random adventures where one thing leads to another (the cookie makes the mouse thirsty for milk), then another (the milk prompts him to check his reflection to see if he has a milk mustache), then another (he realizes his whiskers need a trim), until he inevitably, improbably returns to the moment it all started.
I have no idea if documentary filmmaker John Wilson read Numeroff’s books when he was a kid. But as I watched the six episodes of Wilson’s sometimes hilarious, often beautiful, perpetually odd new HBO docu-comedy series How to With John Wilson, the most comparable work of art I could think of was Mouse and its many sequels and spin-offs, including If You Give a Pig a Pancake and If You Give a Moose a Muffin.
The Best Half-Hour of Comedy in 2020 Is About … Scaffolding?
https://www.nytimes.com/2020/11/02/arts/television/john-wilson-scaffolding-hbo.html
On Friday, a show with the blandest title on television (“How To With John Wilson”) dedicated an episode to the most boring subject imaginable (scaffolding) and produced the most fascinating comedy I have seen in years.
This startlingly original new series, airing Friday nights on HBO, has no stars or any kind of traditional story, and its main character, John Wilson, who co-writes, directs and narrates, stays offscreen. That it manages to be a poignant, hilarious and topical self-portrait is a small miracle.
Like the best art, “How To With John Wilson” defies categorization, but as a critic, I can’t resist. It joins a growing genre of documentary comedy, which uses tools of journalism (like interviews with real people) for comic ends. The most famous examples, like the work of Sacha Baron Cohen, have a streak of cruelty that is absent here. Wilson’s sensibility is more humane than harsh, poetic than prankish.