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I am not normally up this late. I'd definitely watch that.
Interesting. If it's true...how's he alive?
It's already been proven that Russia had a doping system, so that part is true.
Netflix has a habit of producing documentary's that are kind of sensational, which makes them more like clickbait. The fear mongering food/nutrition docs they upload are sometimes kind of a pet peeve of mine.
This party documentary looks interesting, the synopsis is that the doc starts with an endurance cyclist that decides to investigate sports doping by doping himself and recording the changes he makes. Later on is when they get into the Russian Doping system apparently.
How's he will alive? I don't know, but I like the title... Icarus was the one who flew too close to the sun and his wings burnt.
August 4th
99% of athletes are using some sort of doping on the top level, and if they aren't imagine how good they would be if they did lol.It's already been proven that Russia had a doping system, so that part is true.
99% of athletes are using some sort of doping on the top level, and if they aren't imagine how good they would be if they did lol.
USADA CEO Travis Tygart
She, the Stepanovs and Rodchenkov are portrayed by fawning foreign media as whistleblowers, despite never condemning their own behavior. The hypocrisy is overlooked
This title guarantees love from hysterical media and increased ticket sales (and maybe awards). Doctor Death and Bryan could play chess and discuss the Boyne Valley neolithic landscape in Ireland and it would be hyped as an exposure of the ‘state-sponsored’ doping regime in Russia through the prism of prehistoric interactions of humans and place.
Did you ever wonder what Russia state-funded news media (RT) thinks about the ICARUS documentary and Dr. Rodchenkov?
Meet Dr. Death: How Rodchenkov went from criminal to glorified whistleblower
Global Whipping Boy Russia is good for the movie business. The latest is a documentary glorifying a fugitive with blood on his hands. Portrayed as heroic whistleblower, Doctor Death, Grigory Rodchenkov, gets a Pablo Escobar/Hollywood makeover.
[...]
She, the Stepanovs and Rodchenkov are portrayed by fawning foreign media as whistleblowers, despite never condemning their own behavior. The hypocrisy is overlooked, just as Rodchenkov’s deadly criminal past is covered up by an ambitious filmmaker.
Celebrated Broadway playwright and failed filmmaker Bryan Fogel’s desire to make a steroid fuelled version of “Supersize me!” led to Doctor Death’s escape from justice. The explanation behind Fogel’s engagement of Rodchenkov as his doping mentor remains perverse. Coming from the home of five of sport’s top 10 doping scandals and pro sports leagues where doping is rampant and outside WADA controls, it was odd Fogel enlisted the help of Rodchenkov. Rodchenkov’s unveiling by WADA as a highly corrupt individual in 2015 thrilled Fogel, who saw dollar signs and said “this is going to be a ten times greater movie than I ever imagined.” With his financiers, he arranged for Doctor Death to evade the law. He began promotion of the documentary film last May in a New York Times article, in which the journalist admitted Rodchenkov’s fantastical “account could not be independently verified.”
An account that has increasingly more holes than a sieve. A man who lied and sold out his own sister to save his own skin, gets the whitewash treatment.
Unlike 2008’s Bigger Faster Stronger, a masterpiece in doping examination, Bryan cashes in on current geopolitical tension. He abets a criminal in escaping justice, then uses pathetic PR like the money-hungry Browder and Stepanovs by claiming to be “Putin’s Enemy Number 1.”
This title guarantees love from hysterical media and increased ticket sales (and maybe awards). Doctor Death and Bryan could play chess and discuss the Boyne Valley neolithic landscape in Ireland and it would be hyped as an exposure of the ‘state-sponsored’ doping regime in Russia through the prism of prehistoric interactions of humans and place. The aim is to make money from misery, using lies, and this aligns perfectly with Rodchenkov’s history.
